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A Note from Cassie, 11 July

11.07.24

Dear Grif-friends,

I am terribly thrilled to be writing the eNews this week to let you know that swim by Ellen van Neerven opens this week! I have been geeking out about this project since I first read the script and I can’t wait for audiences to be able to be profoundly moved the way I have been every step of this process.

I’ve been producing swim since the start of the year when we went up to Yugambeh Country to develop the work. The cultural immersion we did on Country translated its way into the work—from Samuel James’ breathtaking audio visual work and Romanie Harper’s sleek set design has elevated what was already impeccable writing to a full sensorial experience. You can get a taste of this in the gorgeous character trailers that recently came out of Sandy Greenwood as Aunty and Dani Sib as E. There are not many tickets left, but we have Mob tix available for all First Nations people who want to come see the work, and for trans and gender diverse people who would like to attend, we have a community night on the 24th July where I will be hosting a panel after the show on the process of making this unique play about non-binary and First Nations identity. I have never seen anything like this on our stages; one that revels in the intersection of trans and First Nations culture. It is such a deeply important work and the highlights kind of productions that Griffin does best.

While we’ve been getting ready for swim to take the stage, we’ve also been getting ready for the Griffin Award Keynote. We can’t wait for Angus Cerini (The Bleeding Tree, Into the Shimmering World) to take the stage and talk about the state of theatre in this country. I’ll certainly be in the audience, as will much of the playwriting community as we get to celebrate some of the most exciting writers in the country! I’ve been lucky enough to read the entries on the shortlist and there is some truly new and exciting stuff on there (you should trust me… I was nominated for the Griffin Award last year which you should remember from the last eNews I wrote… keep up!). Get your tickets before they run out!

We are also running up fast to Flat Earthers: The Musical by Jean Tong, Lou Wall & James Gales. I am obsessed with this show (and not just because I am on the poster), but because the music is so absurdly, head-bangingly good and that cast is desperately hilarious. Tickets are now on sale and I would buy them immediately because as soon as the gays get a whiff of this mind-melting sapphic extravaganza there will be no tickets left.

A huge thank you to everyone that donated to us last End of Financial Year—it’s that support that helps us to put together exciting seasons for you all in the future! Speaking of, we are about to do a creative development for a work that is a part of our 2025 season… I can’t say very much about it, but what I can say is there will be some well-known faces in it, and part of this development is trying out a core part of the work to see if it isn’t too… distracting for audiences.

You are not ready for the 2025 Griffin season.

But I am ready to finish up this eNews! I’ll let you get to booking tickets for all of the Griffin shows I am yelling about here. See you all in a foyer soon!

Much love,
Cassie xx

A Note from Declan, 27 June

27.06.24

Dear Grif-friend, Somehow it’s nearly July? It’s ridiculous. I’ve still got so much to do in 2024! Spring clean, de-claw my cats, and watch the 5,000,000 hours of television I’ve been recommended since January (no more, please. It’s a form…

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A Note from Ell, 13 June

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Hello Grif-friend, Relationships Manager Ell here reporting from Griffin HQ for my annual eNews where I bury the lead (clue: it might have something to do with 30 June—read on). After the massive Stables send off that was The Lewis…

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Griffin is dedicated to telling Australian stories. To nurturing the vivid voices of Australian playwrights. To launching the ideas (and careers) of writers both emerging and established. Our mission is something we’re incredibly proud of, it’s what makes us unique!…

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A Note from Andrea, 30 May

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Hi Grif-friend, After years of dipping our toes onto Yugambeh lands and carefully treading sacred waters, we’re finally ready to dive headlong into rehearsals for the long awaited production of Ellen van Neerven’s swim. Not only is Ellen deeply etched…

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A Note from Dylan, 16 May

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G’day folks, Dylan here—Griffin’s Literary Manager and resident ceramics enthusiast. Along with Literary Associate Julian Larnach, we’re the first port of call for playwrights—ensuring smooth sailing for plays during the development process and guiding them gently into dock. Right now, the…

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A Note from Sami, 2 May

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Howdy, My name is Sami and I am Griffin’s new Ticketing Manager. That means if you give Griffin’s Box Office a call or send an email it will likely be me you are chatting with! We are in the heart…

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Making a Mark: Andrea James

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Andrea James is Griffin’s Associate Artistic Director. In 2024, Andrea is directing Ellen van Neerven’s play swim, premiering at Carriageworks in July. This note was originally printed in the printed program for The Lewis Trilogy by Louis Nowra as a reflection…

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A Note from Declan, 18 April

18.04.24

Dear Grif-friend,  As I write this, the countdown to the final performance at the SBW Stables Theatre is well and truly on and the vibes in the Griffin office are… strangely peaceful? I can’t tell if it’s the calm before…

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A Note From Julian, 4 April

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Hi Grif-friend, My name’s Jules and I’m the Literary Associate at Griffin Theatre Company. Last time we spoke I was telling you about how my job largely entails hanging out with writers. I’m a little biased but I think playwrights…

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