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A Note From Julieanne, 25 June

25.06.26

Hello dear Griff-friend. It’s JC here, Griffin’s Executive Director and it’s a joy to write the introduction to our soon-to-be-monthly eNewsletter and chat to you about all things Griffin.  

We’ve been experiencing a rare, parallel reality this past month. Two sold-out productions at the same time—SAVIOR by Happy Feraren and Prima Facie by Suzie Miller—one playing to a full house of 84 people in the Downstairs Theatre at Belvoir, and one playing to a full house of 896 at the Roslyn Packer Theatre. It’s felt wild and a bit surreal, but also tells the story of Griffin at its core—small beginnings, big impact. 

SAVIOR and Prima Facie are bold and brave works that speak to systems that are broken, that do not serve the people they are supposed to be helping. Characters like Tessa and Jobert say something we know to be true. In that moment we are all empathy and it is powerful. Powerful enough to change legal systems on the other side of the world. Powerful enough to change the demographics of our audiences for an entire season because of whose story we are telling. 

I wrote that we had two productions on at the same time, but in truth we’ve had three. If you imagine the rebuilding the Stables Theatre is its own show—we’re done with rehearsals and are now in production week! Two weeks ago we poured the concrete of the theatre floor, the first of the pre-cast walls are in place, and the scaffolding has now risen above our offices next door. It’s a big, bold future ahead for a small company and we share your anticipation and excitement with what we have planned for 2027. 

This past Sunday, 21 June, was the winter solstice. As the sun peeped over my back fence shortly before 7am, I sat at my kitchen table wrapping trinkets I’ve been collecting from recent trips to send to my niece in London. She moved there 6 months ago and I wanted to send a care package—little things to remind her of home, of how much she is loved. It was something my Mum did for me when I was 21 and had moved to Jakarta to take up my first job as a journalist, fresh out of uni. 

Which brings me to end of financial year. With all my heart, a BIG thank you for your support of Griffin and Australian playwriting. Whether it’s coming to a show, rounding up your ticket price, or a donation (big or small!)—these are your care packages to Griffin and to Australian stories that matter. Just as small trinkets and my Mum’s homemade biscuits can make all the difference, your support helps us to champion some of the best playwrights in Australia. You allow us to remain steadfast in our commitment to truth-telling, to courageous moments we share in the theatre together. And yes, our new theatre might feel far away—but it’s closer than you think. 

And if you have not made a donation to Griffin but would like to (and please, only if you can) our fabulous team are happy to take your call, or email or give online. We promise to hold that gift with all the love and care with which it’s been given, in the belief that theatre can change lives. 

The days will soon stretch out into spring and then summer, but for now – stay warm in the Afterglow of a great first half of the year. And I hope to see you at a show or in a foyer soon! 

BIG love,
JC xxx 

 

 

 

 

 

 

A Note from Nick, 11 June

11.06.26

Hello Grif-friends!  You know that moment in The Wizard of Oz, the one where Toto pulls back the curtain to reveal that “The Great and Powerful Oz” is just a man? Just a regular Joe furiously pulling levers and pushing buttons?   When I started working at Griffin Theatre Company,…

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A Note from Jake, 28 May

28.05.26

Dear Grif-friend,  For those of you who haven’t met me in a foyer yet—hi! I’m Jake, Griffin’s Head of Development, which, in practice, means I have the pleasure of talking with some of the most generous people I know about a theatre company we all love. Somehow…

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A Note from Happy, 14 May

14.05.26

Hello Grif-friend,    My name is Happy Feraren, writer of SAVIOR. Our production team has started bump-in (moving everything from our cozy rehearsal space into the theatre) and it’s just two more days until our first preview (this Saturday!). I can’t wait to see it…

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A Note from Tamar, 30 April

30.04.26

Hi Grif-friend, Writing is an inherently imaginative practice. As children we are encouraged to dream up fantasy lands and dive headfirst into fairytales, using our imaginations to inhabit and express worlds. Writers are also often told to “write what they…

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A Note from Jimi, 16 April

16.04.26

Hey Grif-friend, Jimi here, Griffin’s Production Manager, coming to you from Griff HQ in Kings Cross 🫡 How good’s April in Sydney?! Sunny days, clear skies, and the ocean’s still above 21°—I promise it’s warmer once you get in; you’ll have to take my word for it….

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Announcing 15 Craigend Street: a future writers’ centre

15.04.26

  A gift to the future of playwriting  On the cusp of opening our new home for Australian playwriting—with the redevelopment of the iconic Stables Theatre well underway—Griffin has been incredibly fortunate to have received a one-off donation to purchase a…

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A Note from Blake, 2 April

02.04.26

Hey Grif-friend,  It’s time for Blake’s Blog round two—now with six months in the trenches, versus the ~12 days I had last time… With all this newly found experience, I’m excited to take you through this little glimpse of Griffin! With the smashing success of The Elocution of Benjamin…

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A Note from Anthea, 19 March

19.03.26

Kia ora, Warami, Hey,  It’s delightful to be writing to you all as the Associate Artistic Director at Griffin. I’m thrilled to be taking over this role from Andrea James, who has moved to Naarm as the new Artistic Director of ILBIJERRI Theatre Company….

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A Note from Christie, 5 March

05.03.26

Dear Grif-friend,   It’s been a while since I’ve been in your inbox. It is my birthday this week and I’m feeling sensitive (textbook Pisces ♓️🐟). I’m steamrolling through my late twenties and embracing my ever-approaching thirties. Which, from what…

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