‘Barnes has tapped into something essential and immediate about young women, about anxiety and terror and anger and a constant, destructive lack of control over their own bodies and lives’ ★★★★ Time Out
‘The production elements are all first-class, from Georgia Hopkins’ sophisticated set and costumes to Sian James-Holland’s lighting design and Nate Edmondson’s sound design, which both punctuate the dramatic beats of the play.’ ★★★1/2 Daily Review
‘A thoroughly compelling and thought provoking night at the theatre.’ ★★★1/2 ArtsHub
‘Georgia Hopkins‘ plastic draped walls, furniture, and television conjure domestic sterility and crime scene. The bed becomes an unholy altar of bloody matracide.’ Australian Stage
‘This is a tight ensemble piece, the energy and pace does not let up’ TheatreNow
‘a compelling cast, each with a distinctive presence, and an enthusiasm for agile atmospheric shifts’ Suzy Goes See
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