“[Harding] delivers a brave, raw, unruly, frightening performance.” ★★★★1/2 John Shand, Sydney Morning Herald
“Lewis directs with energy and extraordinary feeling; her actors deliver performances that are generously, almost dangerously vulnerable…Feaver has written a play that balances harrowing but genuinely fresh ideas with deft construction and quick humour. This is a play that says ‘we need to have a serious talk about the way we’re handling this mental health crisis’ but it also reaches out and holds your hand.” ★★★★ Cassie Tongue, Time Out
“Harding gives a fierce, raw, no-holds-barred performance.” ★★★★ Jo Litson, Daily Telegraph
“Taut and stark, driven by Harding’s blazing performance as a young woman spinning off centre…this fine Griffin production taps its underlying urgency and anger and seldom lets you off its hook.” ★★★★ Jason Blake, Audrey Journal
“The great central performance is by Brenna Harding as the mercurial Anna. Harding is very moving as she conveys Anna’s constantly shifting moods, the sudden moments of euphoria and the equally sudden periods of depression.” John McCallum, The Australian
“It is a fiery piece of theatre, featuring high stakes and big emotions, that director Lee Lewis integrates powerfully for a tense, affecting experience. The play features a lot of fighting, but it is really the intense love underscoring the strife and angst, that we connect with.” Suzy Wrong, Suzy Goes See
“This premier Australian production is as good as it gets: hugely entertaining, beautifully performed and deeply rewarding.” Diana Simmonds, StageNoise
“Opens up an almighty discussion on mental illness and its treatment.” Richard Cotter, Sydney Arts Guide
“…an evening of gut wrenchingly honest and brave performances.” Oliver Wakelin, Arts Review
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