By Marius von Mayenburg
23 November - 17 December 2011
“Stop wanting to be different.”
Lette thinks he’s normal. But he’s wrong. His personal marketability is dire and his wife thinks he’s unspeakably ugly. Banned from presenting his newly invented plug at a Swiss convention, the mild-mannered Lette takes matters into his own hands with some transformative aesthetic surgery.
The operation is a raging success – after the bandages come off women want him, men want to be him and the surgeon’s even thinking of cloning him. It’s not long, though, before Lette learns there might be such a thing as too beautiful.
Marius Von Mayenburg (Moving Target, Eldorado,The Cold Child), one of Germany’s finest writers, brings you a pitch perfect black comedy and scalpel-sharp social satire about identity and contemporary narcissism.
A modern day allegory that asks the question – how far would you go to fit in?
An Arts Radar and Griffin Independent Sydney Premiere Production
Translated by Maja Zade
Director Sarah Giles
Designer Michael Hankin
Lighting Designer Tom Willis
Sound Designer Caitlin Porter
With Jacinta Acevski, Gig Clarke, Eden Falk, Jo Turner
Image Credit: Patrick Boland
Previews 23, 24 November
Season 26 November – 17 December
Monday – Saturday 7pm
Saturday Matinee 17 December 2pm
The running time for this production is 55 minutes
Under 30 $26 (Monday-Thursday)
$15 Rush tickets available every Monday evening
Phone Bookings 02 9361 3817
SBW Stables Theatre
10 Nimrod Street
Kings Cross NSW 2011
‘Your assessment of Falk’s face seems to change purely based on the reactions of his fellow cast members. It shows not only how clever this play is, and how well staged it is here, but also how susceptible we all are to this kind of surface judgment’. Sydney Morning Herald
It’s a terrific ride, and you won’t be bored for a second.’ Time Out
‘The Ugly One… isn’t so ugly, it’s rather perfect’. Alt Media Group
‘The subsequent confusion and upset is absurd enough that you don’t feel bad about it, but hits close enough to home that feeling bad about not feeling worse comes into effect’ Concrete Playground
‘Marius von Mayenburg has written a play that’s both funny and sad and which says a lot that’s serious and seriously silly about contemporary western society.’ Stage Noise
‘Sarah Giles has directed a tight, caustic production that leaves a lasting impression (or possibly a scar).’ Australian Stage
‘What is it about the 2007 German play The Ugly One that has seen three major theatre companies across Australia separately mount productions of the work this year alone?’ The Daily Telegraph
‘How will Falk pull off the two vastly different looks in German playwright Marius von Maybenburg’s play?’ Sydney Star Observer
‘Director Sarah Giles is staging another contemporary German play through Griffin’s Independent Theatre arm following up from the highly successful run of The Pigeons last year.’ Alternative Media Group
‘If you’re a good-looking person you’ll get the front-of-house job at KFC; if you’re not so attractive you’ll be on the deep fryer. It’s this foul, bitter truth about life’. SX
"Few writers can pull this off...But Coyle succeeds, aided by a cast that switches gears as seamlessly as a luxury car." ★★★★ 4 STARS for Nick Coyle's 'The Feather in the Web' from @JohnRShand at @smh Have a read: https://t.co/taEPEj84dS
#TBT to Peta Brady in her play 'UGLY MUGS' (2014) directed by Marion Potts in a co-production with @MalthouseMelb #australianstories #australianplays
"Griffin has Four Pillars gin and tonics, making it arguably the best theatre bar in the city." The highest of compliments from @neutze. Loved this article!
Hurry! You only have until 11.59pm TONIGHT to submit your EOI for Batch Festival 2019!! https://t.co/8Ne4joKmoT
I. Am. Kimberly. #3WordReview #thefeatherintheweb