Camp. Riotous. Nail-biting.

About

A landmark work of Australian theatre returns to the stage where it first sprang to inglorious life.  

steve j. spears’s The Elocution of Benjamin Franklin scandalised and mesmerised in equal measure when it premiered in 1976—touring across the world and collecting awards everywhere it ventured. Now, on its 50th anniversary, Simon Burke takes on the towering role that Gordon Chater made infamous. 

Robert O’Brien is an elocution teacher whose career is going nowhere fast. Stuck in a dreary cycle of diaphragm exercises and She-Sells-Seashells, every evening he escapes into extravagant fantasies of seducing Mick Jagger. 

Then, a new student arrives. Benjamin Franklin. A 12-year-old acting prodigy with a stutter, a pack-a-day smoking habit and some unsettling curiosities about his middle-aged voice teacher. With half of Double Bay already suspicious of their flamboyant neighbour, a ticking time bomb is lit. 

Directed by Artistic Director Declan Greene (Naturism, The Lewis Trilogy), this revival is a riotous, razor-edged tragicomedy and harrowing portrait of persecution. Half a century on, it’s just as urgent—and unsettling—as ever. 

Credits

Director Declan Greene
Set & Costume Designer Isabel Hudson
Lighting Designer
Brockman
Composer & Sound Designer
 David Bergman

Community Engagement Strategist Bayley Turner
Vocal Coach Linda Nicholls-Gidley
Intimacy Coordinator Chloë Dallimore
Producer Gus Murray
Stage Manager Isabella Kerdijk
With Simon Burke

Venue & Performance Times

Venue
Downstairs Theatre, Belvoir

Previews 21 – 25 February
Opening Nights 26 & 27 February
Season 28 February – 29 March

Performance Times
Tuesday– Friday 7pm
Saturday 1pm & 7pm
Sunday 5:30pm*
*Except 22 February

Meet The Artists Tuesday 3 March
Theatre Club Thursday 12 March
Captioned Performance Wednesday 18 March

Pricing

Full from $55
Senior from $52
Concession from $45
Under 35 from $30

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Content Warning

The Elocution of Benjamin Franklin contains references to child sexual abuse, representations of homophobia and suicide and historical depictions of gender diversity. The creative team have worked to adapt The Elocution of Benjamin Franklin for this production, respecting the playwright’s intentions, the evolving needs of communities represented and acknowledging the truth of the times in which it is set.

This production may contain nudity.

Please reach out to the Griffin team if you require any further information or support.

Supported By

The Elocution of Benjamin Franklin is made possible with the support of the Sally Breen Family Foundation and the Griffin Redraft Fund.

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QUEER LIVES UNDER PRESSURE

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