“Ugly Mugs makes it possible for us to appreciate and even enjoy elements of a play that peers into the dark places of our cities and our psyches” Jason Blake, Sydney Morning Herald
“All in all, Ugly Mugs is a triumph for Peta Brady. She has crafted a meaningful drama that illuminates as much as it engrosses… it’s one of the more remarkable plays to bring the mean streets to life, not least because its authenticity is palpable and the drama as truthful as it is often shocking.” Diana Simmonds, Stage Noise
“Brady does a great job of seamlessly blending grim humour with the haunting tale.” Jordi Roth, Women’s Agenda
“Steve Le Marquand is spot-on for dual role of Doc and Mug (two sides of one coin)… But the real heart of the production is Brady, whose character and performance are charismatic and provide an unexpectedly humorous counterpoint to dark material. The writing is damn funny.” Dee Jefferson, Time Out Sydney
“[Peta Brady] new play sharply captures that underbelly world with the same rough diamond bravado, wit and street poetry which Daniel Keene first brought to his disadvantaged characters two decades ago.” Martin Portus, Stage Whispers
“Brady [is] visceral, disciplined, affecting and often brilliantly observed.” Angus Cerini, The Age
“[Marion Potts] intrinsically understands and expertly manages the broad collaboration of artistic forces that come together to make the stage sparkle with ideas, wit and charm.” Michael Kantor
“Brady gives a thrilling performance… Powerful theatre. Highly Recommended.” Elissa Blake, The Sun Herald
“Brady draws on her experience working among sex workers in St Kilda to build the gritty realism, vivid central character, hard-boiled dialogue and bluntly brutal descriptions in the play.” Kate Herbert, Herald Sun
“Ugly Mugs shines a light on the darkest parts of our streets and forces us to acknowledge some hard truths. You can’t ignore it.” Ben Neutze, Daily Review
“Ugly Mugs is emotionally raw theatre.” Anne-Marie Peard
“Brady lights up the stage. Her emotional intelligence and her talent for humour, with such grim subject matter, are especially effective. And her play cuts through the middle-class bubble that seems to encapsulate most contemporary Australian drama.” Cameron Woodhead, Sydney Morning Herald
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