“This is not life. This is law.”

About

Winner of the 2018 Griffin Award, Prima Facie is an indictment of the Australian legal system’s failure to provide reliable pathways to justice for women in rape, sexual assault or harassment cases. It’s a work of fiction, but one that could have been ripped from the headlines of any paper, any day of the week, so common you could cry.

Sheridan Harbridge stars as Tessa—a criminal lawyer at the top of her game who knows the law permits no room for emotion.

To win, you just need to believe in the rules. And Tessa loves to win, even when defending clients accused of sexual assault. Her court-ordained duty trumps her feminism. But when she finds herself on the other side of the bar, Tessa is forced into the shadows of doubt she’s so ruthlessly cast over other women.

Turning Sydney’s courts of law into a different kind of stage, Suzie Miller’s (Sunset Strip, Caress/Ache) taut, rapid-fire and gripping one-woman show exposes the shortcomings of a patriarchal justice system where it’s her word against his.

Maybe we need a new system.

Download the program


Content Warning
This production contains adult themes and descriptions of sexual violence. If you have questions regarding the content of the play please contact our Box Office.

NSW Rape Crisis 1800 424 017 (24/7)

Sexual Assault Counselling Australia 1800 211 028
(8am – 11pm, Mon – Fri)
sexualassaultcounselling.org.au

This production has been made possible by the generous support of The Girgensohn Foundation

Cast & Creatives

Director Lee Lewis
Designer Renée Mulder
Lighting Designer Trent Suidgeest
Composer & Sound Designer Paul Charlier
Stage Manager Khym Scott
With Sheridan Harbridge

Performance Times

Preview 17 – 21 May
Opening Nights
22 & 23 May
Season
24 May – 22 June

Performance Times
Monday – Friday 7pm
Saturday 2pm & 7pm
Wednesday 19 June 2pm & 7pm

Run Time
Approximately 100 minutes without interval

Latecomers
Please note, there is a complete lock-out on all performances and latecomers won’t be admitted, so make sure you give yourself plenty of time to get to us, grab a drink, and get settled.

Meet the Artists
Tuesday 28 May

Captioned Performance
Tuesday 18 June

Pricing

Subscription

5 Play 4 Play 3 Play
Full $255 Full $216 Full $168
Concession, Preview $205 Concession, Preview $172 Concession, Preview $138
Under 35 $170 Under 35 $140 Under 35 $108
5 Play 
Full $255
Concession, Preview $205
Under 35 $170
4 Play 
Full $216
Concession, Preview $172
Under 35 $140
3 Play
Full $168
Concession, Preview $138
Under 35 $108

 

Single Tickets

Full $62
Concession / Preview / Groups 8+ $52
Under 35 $38
Monday Rush $20

 

Single tickets on sale Monday 3 December 2018
Transaction fees of $4 for online bookings and $6 for phone bookings apply

 

Supported by

The Girgensohn Foundation

Griffin’s Production Partner Program

The University of Sydney, Performance Studies

Special Thanks to Carla Zampatti for the generous donation of the Red La Dolce Vita Jacket

 

Video

Meet the Team

Reviews

Prima Facie gives a platform for a woman to speak her truth, asking us to look beyond first impressions and to dig deeper into the very structures and procedures that embed underlying injustices. This is an urgent and compelling work: one that should be as widely seen for its craft, just as much as its subject matter should be better understood by our politicians, lawmakers and general public. Run, don’t walk.” ★★★★★ Debbie Zhou, Time Out

“The power of Miller’s script finds its match in both performer and production. Sheridan Harbridge is open, raw and technically impressive as Tessa, offering up a perfectly calibrated performance full of emotional truth. It’s one that also registers as deeply generous, almost attentive, as if the actor is extending one hand to the audience at the play’s most bruising moments. She is skillfully directed by Lee Lewis, whose intelligent production handles the play’s subject matter and tonal shifts with supreme finesse.” ★★★★1/2 Justin Nguyen, Limelight

“Sheridan Harbridge is superb as Tessa. Combative, controlled and clear-sighted in the first half, her decimation in the second is all the more gut-wrenching in this intense production directed by Lee Lewis.” ★★★★ Joyce Morgan, Sydney Morning Herald

“Miller’s writing is sharp, urgently precise, and yet still evokes beauty; it’s a steely play overlaid with delicate, insightful emotional work. In the hands of Sheridan Harbridge, a performer who invites you into her characters’ inner life without hesitation, it soars… the play is a living document, a map for change. It’s theatre that holds our hands and says: there could be justice for those one in three. We can change the law.” ★★★★ Cassie Tongue, Audrey Journal

“An astonishingly rich and refined work…rarely has a standing ovation at curtain call felt so natural.” ★★★★★ Veronica Hannon, Theatre Now

“Harbridge is magnificent as she portrays a confident woman at the top of her professional game, one who is physically and emotional humiliated but determined to rise above the gender and legal odds stacked against her…She never falters in delivering the grit and broad spectrum of emotions required.” ★★★★ Steve Dow, Australian Book Review

“Miller is precise and thorough, in her careful storytelling. She engages our hearts and minds, for a stirring theatrical experience, perfectly suited to our current climate of #MeToo heightened social consciousness…Actor Sheridan Harbridge holds us captive for the entire 100 minutes, of her spellbinding one-woman show. It is an extraordinary achievement.” Suzy Wrong, SuzyGoesSee

“This is not a plea, and it is more forceful than a call-to-arms. It is a voice of steely reckoning that contains within its very timbre the rage of being a woman.” Bryoni Trezise, The Conversation

“What gets Sheridan Harbridge through this performance? Hearts are surely not designed for such shattering…I fully expected to be wreckage by the end of this show as I experienced its building to an apogee of blistering indictment but instead, I came away energised by the power of theatre to respond to systemic injustice.”  Judith Greenaway, Reviews by Judith

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