A Note from Lee, 22 June

22.06.17

It’s the end of the financial year. Please donate to Griffin. Help us make new Australian plays. Help us find new classics that speak to us now, in our own voice, about things that matter to us all deeply.
 
There, I’ve said it. It’s really hard to ask you for more money. You all support us so much, and we pride ourselves in being a really lean company that puts most of our money into artists. We are small but we do huge things. We pride ourselves on continuing to punch above our weight. But all that fight means it’s hard to admit how vulnerable we are financially. Donations make a huge difference at Griffin. A small amount is significant to us and a large amount is significant to the history of Australian playwriting.
 
There is an independent show on at Griffin at the moment called Sunset Strip written by Suzie Miller. It could have been in our Main Season but with the Brandis cuts, we were only able to produce four plays not five. Fortunately for Suzie, the team have been willing to produce it independently so she can see the work onstage speaking to an audience. These artists are doing it because of the power of Suzie’s writing and because they believe in the work. Please help us to ensure that plays like this don’t slip through the cracks. Please help us to ensure we support more playwrights, more actors, more directors, designers and stage managers.
 
Because Australian voices matter. Australian plays matter to you — you tell me that in your letters, your emails and our foyer conversations. The plays matter to the whole country. And I believe they matter to the whole world. There are plays being written in Australia right now that will offer a uniquely Australian perspective on the chaos of our current world. There is a great play about the medication of children that we urgently need to see; there is a heartbreaking work about the housing crisis; there is an extraordinary work about Australian soldiers fighting in overseas conflicts that has the potential to really question our narratives around the armed forces. There are many more. None of them will change the world unless we get them on to the stage. Help us do that.